Mad World on Kritik: Mad Men Season 6.6
"Get Your Wargasm On"
Guest Writer: Nicholas D. Mirzoeff

Monday, May 6, 2013

[The fifth in the Unit for Criticism's multi-authored series of posts on Season 6 of AMC's Mad Men, posted in collaboration with the publication of MAD MEN, MAD WORLD: Sex, Politics, Style, and the 1960s (Duke University Press, March 2013) Eds. Lauren M. E. Goodlad, Lilya Kaganovsky and Robert A. Rushing]

"Get Your Wargasm On"

Written by: Nicholas D. Mirzoeff (New York University)


Last week my friend and colleague Dana Polan accomplished the astonishing feat of blogging Mad Men in the advert breaks. Watching him do this made me aware of the tension between a show about advertising and the advertising shown during that show. Mad Men’s drama is always doubled: between the present and the past it represents, the story the characters are involved in and the one known to viewers, and its aspirations to drama in a highly commercial environment.

At the end of the last episode, “The Flood,” an odd coincidence highlighted how fragile that balance can be. Right after the incomprehensible-as-ever “scenes from next week,” AMC cut to a title for its follow-up show Rectify, which happened to be “presented by Jaguar.” The once-British Jaguar that was sold by Ford to India’s Tata Motors in 2008 to increase its chances of survival in the financial crisis. The same Jaguar that boosted SCDP after Joan did her trade of sex-for-partnership last season. Which was valued by Pete Campbell for her at the beginning of this episode (the sixth in Season 6, “For Immediate Release”) at about $1 million: the size of her partnership if SCDP goes public as planned.


The coincidence reminds us of what we always know but try to forget—that the show about advertising exists to sell. In the new TV economy, it has to sell itself as much as it sells advertising. But sell it must.

Read more

top