Mad World on Kritik: Mad Men Season 5.7
"Home/Work: Some Things Never Change"
Guest Writer: Michael Berube
Tuesday, May 1, 2012
posted under
disappointment
,
heinz
,
home/work
,
Mad Men
,
Mad World
,
Michael Berube
,
some things never change
,
tableaux
by Unit for Criticism
[The sixth in the Unit for Criticism's multi-authored series of posts on Season 5 of AMC's Mad Men, posted prior to the publication of MAD MEN, MAD WORLD: Sex, Politics, Style, and the 1960s (Duke University Press) Eds. Lauren M. E. Goodlad, Lilya Kaganovsky and Robert A. Rushing]
"Home/Work: Some Things Never Change"
Written by Michael Berube (Penn State)
First things first, let me say how great it is to see so many French-Canadians on the show. And such lovely people! It’s about time, and it makes me proud.
OK, now to business. From the moment Peggy uncorked the phrase “basket of kisses,” Mad Men has been about the women. It has been about other things as well– like, say, advertising and ad men, particularly that Draper fellow – but in “At the Codfish Ball” the professional drama with SCDP and Heinz and the American Cancer Society is but a backdrop to the stories of Megan, Peggy, and Sally ... and Joan and Marie.
We open and close with Sally on the phone to Glenn; we learn within minutes, upon Sally’s arrival in New York, that Sally is quite good at public relations. Indeed, Don has to coax her into explaining how she was the hero of the day, calming her grandmother Pauline, calling the police, elevating her ankle and getting an ice pack for her after she broke her ankle tripping on one of Gene’s toys. Gone is the phone cord that Sally stretched into her room, causing Pauline to fall; in its place is a Sally too proper and too shy to tell everyone how good she was. Megan will offer a grownup version of this crafty self-fashioning at the Heinz dinner, converting her parents’ chilly and chilling dinner with Don into a heartwarming tale of families, love, and beans through the centuries. Gone is the drunken Marie passed out in bed with a lit cigarette still danging from her hand; in its place is a doting mother serving good warm Heinz beans while Don looks on in awe and gratitude.
Read more
"Home/Work: Some Things Never Change"
Written by Michael Berube (Penn State)
First things first, let me say how great it is to see so many French-Canadians on the show. And such lovely people! It’s about time, and it makes me proud.
OK, now to business. From the moment Peggy uncorked the phrase “basket of kisses,” Mad Men has been about the women. It has been about other things as well– like, say, advertising and ad men, particularly that Draper fellow – but in “At the Codfish Ball” the professional drama with SCDP and Heinz and the American Cancer Society is but a backdrop to the stories of Megan, Peggy, and Sally ... and Joan and Marie.
We open and close with Sally on the phone to Glenn; we learn within minutes, upon Sally’s arrival in New York, that Sally is quite good at public relations. Indeed, Don has to coax her into explaining how she was the hero of the day, calming her grandmother Pauline, calling the police, elevating her ankle and getting an ice pack for her after she broke her ankle tripping on one of Gene’s toys. Gone is the phone cord that Sally stretched into her room, causing Pauline to fall; in its place is a Sally too proper and too shy to tell everyone how good she was. Megan will offer a grownup version of this crafty self-fashioning at the Heinz dinner, converting her parents’ chilly and chilling dinner with Don into a heartwarming tale of families, love, and beans through the centuries. Gone is the drunken Marie passed out in bed with a lit cigarette still danging from her hand; in its place is a doting mother serving good warm Heinz beans while Don looks on in awe and gratitude.
Read more
